2024 Report
April 2024
ho chi minh city international film festival
TABLE
OF CONTENT
Introduction
03
Festival Highlights
05
Awards and Winners
28
Notable Films
39
Guest Appearances
43
Media Coverage & Public Engagement
46
Logistics
54
Industry Impact
55
Social Impact
57
Social Responsibility
59
Future Outlook
61
Apprecitation
64
Appendices
66
Contact
75
02
festival
Overview
Vision
Mission
The vision of HIFF is to establish Ho Chi Minh City as an emerging hub for global cinema, showcasing stories that resonate with human experiences worldwide. As it embarks on its initial steps, HIFF aspires to become a celebrated event in the international film festival circuit, recognized not only for its exceptional cinematic presentations but also for its ability to bridge diverse cultures and foster global connections through the art of filmmaking.
The mission of the Ho Chi Minh City International Film Festival (HIFF) is to showcase global cinematic diversity, empower filmmakers by providing a platform for diverse voices, and inspire dialogue and cultural exchange through the power of storytelling.
03
festival
Overview
Brief History & Significance
The 1st Ho Chi Minh City International Film Festival, held in April 2024, marked a significant cultural milestone for Vietnam, particularly for Ho Chi Minh City. Hosted by the Ho Chi Minh City People’s Committee and the Department of Culture and Sports, the festival was designed to transform the city into a vibrant hub for international cinema. As an annual event, HIFF celebrates the art of storytelling through film, providing a global platform where filmmakers, industry professionals, and film enthusiasts can share their passion for cinema and explore diverse narratives from around the world.
Purpose
HIFF aims to promote Ho Chi Minh City as a major center for the global film industry, fostering international partnerships and showcasing a wide array of films. The festival not only highlights artistic achievements but also encourages cultural exchange and dialogue, enhancing the city’s profile as a cultural and cinematic destination.
Implementation
Dates
HIFF 2024 runs from April 6th to April 13th, spanning eight days of film screenings, workshops, and panel discussions.
The festival is implemented by the HCMC Contemporary Art Performing Center & VIETFEST, organizations known for their dedication to promoting the arts and cultural activities in Vietnam.
04
Festival
Highlights
Film Registered for Screening
92
Film Project Submissions
53
Screenplay
Submissions
87
Cinema
13
Event
73
Film
Screened
91
Selected
Project
15
Selected
Screenplay
10
Indoor
Screening
164
Workshop &
Conference
14
Q&A
91
Outdoor
Screening
10
05
Festival
Highlights
Ticket
Sale
5K+
Online
100%
Requested
Badge
1706
Full time staff
Registered
Volunteer
Sponsor
Partner
Booth
40
Part time staff
3600+
Selected Volunteer
72
Strategic Sponsor
34
45
Expo
15
Cinema
0%
Issued
1264
250+
700+
7
F&B
30
06
Festival
Highlights
OPENING FILM
BOLERO
Anna Fontaine
France
asian premiere
07
Festival
Highlights
OPENING CEREMONY
OPERA HOUSE
Global Guest
200
Local Guest
500
6 APRIL
12.000
08
and more
...
audience
Festival
Highlights
CLOSING FILM
PERFECT DAYS
Wim Wenders
Japan
SOUTHEAST ASIAN premiere
09
Festival
Highlights
CLOSING CEREMONY
OPERA HOUSE
13 APRIL
Global Guest
250
Local Guest
500
15.000
10
and more
...
audience
Festival
Highlights
Major screenings
opening film
01
Bolero
Southeast ASIAN FILM COMPETITION
11
Last Shadow At First Light
Tenement
The Gospel Of The Beast
Solids By The Seashore
Blue Imagine
Dreaming & Dying
Fire On The Water
The Cursed Land
Wonderland
13 Bombs
Oasis Of Now
FIRST OR SECOND FILM COMPETITION
11
Valli
Borrowed Time
Carefree Days
Love Is A Gun
City Of Wind
Push Pause
Mandoob (Night Courier)
France
Singapore
Cambodia
Philippines
Thailand
Japan, Philippines
Singapore
Malaysia
Thailand
Singapore
Indonesia
Malaysia
11
Waiting For The Light To Change
Autumn
Frau
Be With Me
India
China
China
Taiwan
Mongolia
Japan
Saudi Arabia
USA
Portugal
Russia
Taiwan
...
Festival
Highlights
Major screenings
Short Film COMPETITION
24
Ever Since, I Have Been Flying
Circle
Cross My Heart And Hope To Die
Clown*Esses
Pacific Vein
Terra Mater
The House That Stays
Basri And Selma In A Never-Ending Comedy
Howling
Of Other Tomorrows Never Known
The Moon Will Contain Us
The Altar
Nasida Ria: Sun Stage
Eight Horses Chasing The Wind
Home Is Where The Star Fruits Taste Sour
Alien0089
In Praise Of Slowness
Our Pain
Leila
The Physical Realm
The Parade
Crab Day
The Girl With The Red Beret
directorial symphony
KORE-EDA HIROKAZU
Switzerland
South Korea
Philippines
Germany
Germany
Rwanda
Vietnam
Indonesia
Japan
Indonesia
Costa Rica/USA
Myanmar
Indonesia
Vietnam
Germany
Chile
United Kingdom, Italy
Japan
Sweden
Thailand
Singapore
UK
Janet Perlman
01
Broker
Korea
12
...
Festival
Highlights
Major screenings
WORLD CANVAS
10
Dearest Duc
Dead Boy Club
Hadik
Pattaya Heat
Noryang: Deadly Sea
It's OKAY!
Top End Wedding
Storm Boy
Orphea in Love
UFO
cinematic crossroads
04
country in focus - FRANCE
The Swallows of Kabul
Marona’s Fantastic Tale
Chicken for Linda!
Mars Express
Little Nicholas - Happy As Can Be
VIETNAM PANORAMA
08
The Abandoned Field: Free Fire Zone
Buffalo Boy
The White Silk Dress
Japan
Malaysia
Hungary
Thailand
Korea
Korea
Australia
Australia
Germany
Sweeden
France
France
France
France
France
13
Season Of Guavas
Children Of The Mist
Madam Phung's Last Journey
The Rebel
The Healded Wounds
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Viet Nam
...
Festival
Highlights
Major screenings
artistry trilogy
03
Cobweb
The Good, The Bad, The Weird
Tale of Two Sisters
Ho chi minh city ON SCREEN
06
The Brilliant Darkness
Song Lang
Rom
Owl And The Sparrow
The Tailor
Scandal
closing film
Perfect Days
Korea
Korea
Korea
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Viet Nam
Japan
14
...
Festival
Highlights
Project market
art house project
Agarmoon
Bubble Era
Homework
I'll Smile In September
PRODUCER
Dac Khue
Nguyen Trung Nghia
Edward Lim
Snigdha Sharma
IMAH (The Last Time I Saw Your Face)
Other People's Dreams
Eddie Cahyono & Li Xiaorong
Sophia Sim & Tan Si En
Ria
Kristine De Leon
& Alemberg Ang
DIRECTOR
Arvin Belarmino
entertainment project
Le Can Truong
Minh Nghia Vu
Yeap Jacky
Aakash Chhabra
Eddie Cahyono
Daniel Hui
Parasomnia
IQ.Rock
Oh My Oppa
The Heirloom
The Heirlooms
Green Valley And
The Amber Marbles
Kevin Rahardjo
Rafki Hidayat
Anwar Hadi
Kim Hyo-Jeong
Mohd Khairi Anwar
Bin Jailani
Gyu-Tae Park
Thanh Tran & Nguyen Thi Xuan Trang
Devina Sofiyanti
Hoang Le
Devina Sofiyanti
Pham Minh Hang
Thanh Tran
Nguyen Nam Khue Vu
Hữu Danh Vương
Vietnam
Vietnam
Malaysia
India
Singapore
Indonesia
France
Singapore
Philippines
Singapore
Japan, France
The Great Lives
Of My Father
Fake Truth
Thao Nguyen, Nguyet Minh & Linh Vo
Ngo Mai Phuong
Indonesia
Malaysia
Korea
Vietnam
Indonesia
Vietnam
Vietnam
Viet Anh Nguyen
Vietnam
15
...
Festival
Highlights
Script lab
TV Series
Hoàng Tự (Son of the King)
Thần tượng tâm thần (Crazy Idols)
Chuẩn cơm mẹ nấu (Mom’s cooking)
Tai cho thuê (Ears For Rent)
Bí mật đảo thiên đường
(The Secret of Paradise Island)
Kẻ phản bội (The Betrayal )
Phát Nguyễn
Stefanie Võ
Quản Phương Thanh
Trà Nguyễn
Nguyễn Hoàng Hải
Lê Châu Thành
Feature Film
Vietnam
Vietnam
Vietnam
Kiêu Hãnh (Pride)
Dưới cánh đại bàng
(Under the Eagle's Wing)
Tấm và Hoàng Hậu
(The Queen)
Trâu ơi, ta bảo trâu này
(Dear Buffalo)
Câu chuyện gọi là đức tin (The Story Called Faith)
Kết quả (The End)
Quản Lâm Vũ
Hoàng Yến
Phát Nguyễn
Hà Lan Đỗ
Phương Anh Đặng
Nguyễn Vũ Trung Kiên
Vietnam
Vietnam
Vietnam
Vietnam
Vietnam
Vietnam
Vietnam
Vietnam
Vietnam
16
...
Festival
Highlights
competition categories
Southeast ASIAN FILM COMPETITION
FIRST OR SECOND FILM COMPETITION
17
...
Festival
Highlights
competition categories
short film FILM COMPETITION
18
...
Festival
Highlights
special events
CONFERENCE
Ho Chi Minh City Cinema: Vision And Development Strategy
The Future of Southeast Asian Cinema
Vietnamese Animation and VFX: Global Market Opportunity
Thisky Hall - Sala - 7 April
Thisky Hall - Sala - 8 April
Thisky Hall - Sala - 8 April
19
...
Festival
Highlights
special events
WORKSHOP
“Global Film Festival 101" Moderated by anderson le
“Navigating International Film Funding” by Isona Admetlla
Sharing from Director Kim Jee Woon TO YOUNG FILMMAKERS
Thisky Hall - Sala - 9 April
Thisky Hall - Sala - 9 April
20
...
New World SG Hotel - 10 April
Festival
Highlights
special events
WORKSHOP
Sharing from producer Jay Choi to young filmmakers
DIRECTOR HIROKAZU KORE-EDA WITH YOUNG FILMMAKERs
“FIND YOUR THEME” by Director Phillip Van
New World SG Hotel - 7 April
La Vela SG Hotel - 12 April
21
...
La Vela SG Hotel - 9 April
Festival
Highlights
special events
WORKSHOP
“HOW TO TURN A TRUE EVENT/ PERSON’S LIFE STORY INTO A SCREENPLAY”
“WRITING FROM YOUR PERSONAL EXPERIENCES” by Director Tran Quoc Bao
La Vela SG Hotel - 7 - 11 April
“HOW TO PITCH YOUR SCRIPT” by Director Charlie Nguyen vs Screenwriter Vu Quynh Ha
22
...
Festival
Highlights
special events
DIRECTORIAL SYMPHONY
kore-eda hirokazu
Sai Gon Opera House - 10 April
At HIFF 2024, director Kore-eda Hirokazu was featured in the “Directorial Symphony” category, a tribute to his talent and contributions to the film industry. This category aims to honor a distinguished director whose films exhibit artistic quality, thematic diversity, and a storytelling style that significantly impacts the world of cinema. It not only celebrates cinematic masterpieces but also offers professionals and audiences a chance to engage closely with international cinematic excellence.
23
...
Festival
Highlights
special events
CINE TALK
Director Anne Fontaine and Actor Raphaël Personnaz of Bolero
DIRECTOR KIM JEE-WOON
Director Kim Han-min & actor PARK Myunghoon - JUNG Jaeyoung
Galaxy Sala - 7 April
Sai Gon Opera House - 9 April
24
...
Festival
Highlights
special events
CINE SHOW
MUSIC IN FILM
songs
25
artists
50
TRAFFIC
>5.000
Nguyen Hue Walking Street - 9 April
25
...
Festival
Highlights
special events
FAN MEETING
“FACE-OFF 7” - LY HAI DIRECTOR
HOURS
2H 30'
Nguyen Hue Walking Street - 12 April
15.000
TRAFFIC
26
...
Festival
Highlights
special events
SAIGON RIVERSIDE PARK
Film screening
7
showcase
4
artist
Thu Thiem 8 - 12 April
TRAFFIC
>30.000
>50
27
...
Awards and Winners
Golden Star Award
The gospel of the beast
Director - Sheron Dayoc
Philippines
"The Gospel of the Beast" is a coming-of-age film about Mateo, a 15-year-old boy known for being a troublemaker in school but possessing a genuine heart for his two siblings. He assumed the role of man of the house after his father went missing, doing his best to care for them. However, a confrontation with his schoolmate Gerald escalates into violence when he accidentally kills his rival. With nowhere else to turn, Mateo seeks help from a man he barely knows, Berto, who persuades him to run away and introduces him to the world of the syndicate. As Mateo takes up residence in the old mansion where the syndicate operates, his world darkens as he slowly succumbs to despair and violence. Delivering drugs and disposing of dead bodies became part of his daily routine. Over time, Berto evolves into a father figure for Mateo, and as their unique father-son relationship grows, Mateo gradually learns the harsh realities of life, death, and violence. After his best friend, Gudo,is killed by the same syndicate they work for, and he uncovers the truth about his father's death, Mateo finally loses himself to violence and despair, falling into a trap on his ultimate journey into beasthood.
Jury Prize
for feature film
Last Shadow At First Light
Director - Nicole Midori Woodford
Singapore, Japan, Slovenia
Haunted by recurring apparitions, 16-year-old Ami embarks on a journey from Singapore to Japan in search for her missing mother. On arrival in Tokyo, a cynical taxi-driving uncle whom she meets for the first time becomes her custodian and reluctant guide to the family hometown with a dark past. The road, paved with hauntings and hallucinations, traces her mother's footsteps into mental decline. As Ami's eyes begin to open to the nether world, a bond is slowly forged between uncle and niece. Amidst the transforming landscapes, Ami's enigmatic dreams and lost mother unveil their true nature.
28
...
Awards and Winners
emerging filmmaker
City Of Wind
- 2 films
Director
Lkhagvadulam Purev-Ochir
France, Mongolia, Portugal, Netherlands, Germany
Ze, a 17-year-old, studies hard at school to succeed in the cold, callous society of modern Mongolia. When Ze encounters Maralaa, his senses are awakened and another reality seems possible.
NIGHT COURIER
Director - Ali Kalthami
Saudi Arabia
"The Gospel of the Beast" is a coming-of-age film about Mateo, a 15-year-old boy known for being a troublemaker in school but possessing a genuine heart for his two siblings. He assumed the role of man of the house after his father went missing, doing his best to care for them. However, a confrontation with his schoolmate Gerald escalates into violence when he accidentally kills his rival. With nowhere else to turn, Mateo seeks help from a man he barely knows, Berto, who persuades him to run away and introduces him to the world of the syndicate. As Mateo takes up residence in the old mansion where the syndicate operates, his world darkens as he slowly succumbs to despair and violence. Delivering drugs and disposing of dead bodies became part of his daily routine. Over time, Berto evolves into a father figure for Mateo, and as their unique father-son relationship grows, Mateo gradually learns the harsh realities of life, death, and violence. After his best friend, Gudo,is killed by the same syndicate they work for, and he uncovers the truth about his father's death, Mateo finally loses himself to violence and despair, falling into a trap on his ultimate journey into beasthood.
29
...
Awards and Winners
Best Short Film
Leila
Director - Fariba Haidari
Sweden
Poignant and touching slices of Leila’s life, a charming 64-year-old transgender who is permanently navigating and negotiating her place in an antagonistic world, just before the Taliban retake control of Afghanistan.
Jury Prize
for short film
Alien 0089
Director - Valeria Hofmann
Chile, Argentina
While a gamer uploads a testimonial video to denounce the harassment she suffers in a war video game, a stranger enters her home and hacks her computer, blurring the boundaries of the real and the virtual with chaotic consequences.
30
...
Awards and Winners
Best Ho Chi Minh City Film
SONG LANG
Director - Leon LE
Vietnam
It's the 1980s in Saigon. Linh Phung is the star of a traveling Cai-luong (traditional folk opera) troupe deep in debt to a local loan shark. Dung "Thunderbolt" is the enforcer coming to collect. After an unlikely bond forms between the two, Linh Phung learns how a lived life is necessary for art, and Dung follows art back to a life worth living.
Best Director
Oasis Of Now
Director - Chee Sum Chia
Malaysia, Singapore, France
A woman is secretly meeting a small girl at the corner of a stairwell in an old Kuala Lumpur apartment. They see each other occasionally here, sharing a moment together before returning separately to their homes, but nothing is quite what it seems.
Best Actress
Oasis Of Now
Ta thi diu
Malaysia, Singapore, France
31
...
Awards and Winners
Best Actor
Wonderland
Singapore
Mark Lee
To pay for his daughter Eileen’s education abroad, Loke sells his family home and moves into a tiny one-bedroom rental. There, he meets Tan, his neighbour who helps him write his letters to Eileen, and read her letters to him. Meanwhile, Tan finds comfort in Loke’s dedication to his daughter, as he yearns for a reconciliation with his estranged daughter. When bad news arrive from abroad, Tan, in a spur of a moment, decides to withhold the truth from Loke in an attempt to spare his newfound friend the grief.
Best Supporting Actor
Wonderland
Singapore
Peter Yu
Mark Lee
32
...
Awards and Winners
Best Screenplay
Last Shadow At First Light
Director - Nicole Midori Woodford
Singapore, Japan, Slovenia
Haunted by recurring apparitions, 16-year-old Ami embarks on a journey from Singapore to Japan in search for her missing mother. On arrival in Tokyo, a cynical taxi-driving uncle whom she meets for the first time becomes her custodian and reluctant guide to the family hometown with a dark past. The road, paved with hauntings and hallucinations, traces her mother's footsteps into mental decline. As Ami's eyes begin to open to the nether world, a bond is slowly forged between uncle and niece. Amidst the transforming landscapes, Ami's enigmatic dreams and lost mother unveil their true nature.
Best Cinematography
Last Shadow At First Light
Hideho Urata
Singapore, Japan, Slovenia
Best Visual Effects
Last Shadow At First Light
Laokoon VFX
Singapore, Japan, Slovenia
33
...
Awards and Winners
Best Supporting Actress
Solids By The Seashore
Thailand
Rawipa Srisanguan
Southern Thai town. On a once-sandy beach eroded by high tides and now replaced by artificial rock sea walls, two young women meet. Shati is a local Muslim woman from a conservative family. Fon is an activist-turned-visual artist, in town for the her new art exhibition. The deeper they get to know each other, the bigger Shati’s internal conflict with her traditional roots - that forbids same-sex relationship - becomes. Caught between fear and desire, she is reminded of the old cautionary tales from her childhood told by her late and beloved grandmother.
During Shati’s pivotal moment, on Fon’s last night in town, the strange otherworldly occurrences in the tales of Shati’s grandmother gradually start to happen. A storm is brewing. Whether it’s all a dream or not, Shati is making a decision to forge a path for herself, and comes to terms with who she is.
Best Editing
13 Bombs
Indonesia
Hendra Adhi Sussanto
Jakarta, the metropolitan city, suddenly became dark. A group of terrorists launched their attack with the threat of 13 bombs scattered throughout Jakarta. Investigations by the Intelligence Agency into the terror led to
Oscar and William who were thought to be involved.
The agency's mission becomes compromised when they suspect an intruder amongst them, while Arok, the leader of the terrorist group, continues to spread terror by exploding bombs every 8 hours. The only way to stop this terror attack is to hand over bitcoins worth billions of rupiah to Arok or risk the safety of all Jakarta
residents.
Best Sound Design
13 Bombs
Indonesia
Wahyu Tri Pournomo
34
...
Awards and Winners
Best Production Design
Tenement
Cambodia
Jean-Sien Kin Keico Katahira
Following the death of her mother, a Japanese-Cambodian manga artist decides to travel to Cambodia along with her boyfriend, in a quest to find out more about the country her mother fled. She reunites with lost family and moves into the apartment where her mother used to live. As she tries to find out more about her past, she’s confronted to strange events within the building that hint at something darker going on with the residents.
Best Original Score
Blue Imagine
Indonesia
Yuji Wantanabe
NOEL, an aspiring actress, had been maintaining her silence as a rape victim. Unable to come to terms with her past, she finds a safe house for women called "Blue Imagine". Slow process of healing begins as she interacts with other inhabitants who have been through similar experiences of abuse. One day Noel learns that a young actress had been sexually assaulted by film director MINORU, who had also taken advantage of her two years ago. Noel and others find the strength to publicly speak out. Though they encounter cultural prejudice, bias and backlash, a small Japanese #MeToo movement gains momentum. As Minoru's film gets released as scheduled, Noel and her friends confront Minoru face to face at his film press conference and successfully elicits a testimony from the lead actress that she was also was harassed. Noel sees that society is slow to change but is able to face her past, which she could never have until regaining her power through the camaraderie formed at Blue Imagine.
35
Awards and Winners
Best ENTERTAINMENT FILM PROJECT
Green Valley and the
amber marbles
Vietnam
Vũ Nguyễn Nam Khuê - DIRECTOR
Phạm Minh Hằng - PRODUCER
After many years of neglecting his absent-minded mother, Kien visits her house to realize that she is living with a stranger, who is occupying the house.
Other people’s dream
Singapore
Daniel Hui - DIRECTOR
Sophia Sim & Tan Si En - PRODUCER
Two runaway souls escaping a dark past meet in the chaos of Singapore. They find a way to survive by stealing, unseen from the public, melding themselves with the rhythms of the dreaming city.
CNC Award
FOR Best southeast asian FILM PROJECT
IMAH - The last time
I saw your face
Indonesia, France
Eddie Cahyono - DIRECTOR
Eddie Cahyono
& Li Xiaorong - PRODUCER
Wegig looked for his wife's killer and wanted to kill him, but in his search, Wegig discovered his wife's dark side while working as a migrant worker in Hong Kong.
36
Awards and Winners
Best FEAture film Vietscript lab
The Story Called Faith
Vietnam
Phương Anh Đặng
A daughter investigates the death of her devout father despite the police concluding that he committed suicide. Through her investigation, she discovers that her father was murdered by a ghost.
consolation prize
The End
Nguyễn Vũ Trung Kiên
Vietnam
Tormented by debt, Giang suddenly obtains a mystical lottery ticket with predictive powers, which changes his life. But what is the price that Giang has to pay?
The queen
phát nguyễn
Best tivi series VietsCRipt Lab
Mom’s cooking
Vietnam
Quản Phương Thanh
Four women fleeing the city, coincidentally meet in a small town. Here, they start a business together with a restaurant that has no menu.
consolation prize
Crazy Idols
Stefanie Võ
Vietnam
Vietnam
Desiring revenge at all costs, Tấm returns to the palace, usurps the position of the Queen, and eliminates all enemies, only to realize that her soul has gradually deteriorated throughout the journey.
A young psychiatrist manages a counseling room serving clients who are celebrities struggling with sobriety and mental disorders.
The Secret of Paradise Island
Nguyễn Hoàng Hải
Vietnam
"The Secret of Paradise Island" is a story about a girl who starts a new life with her husband on a dreamy island, only to discover on their first day there that her husband has died.
37
Awards and Winners
Mentor’s prize Vietscript lab
Under the Eagle's Wing
Vietnam
Hoàng Yến
A prince who despises his betrothed must clear the name of his minister from the charge of rebellion against the previous dynasty before he is executed by the emperor.
Son of the King
Vietnam
Phát Nguyễn
"Hoàng Tự" is inspired by the abdication of King Tự Đức of the Nguyễn Dynasty, who couldn't produce offspring, so he passed the throne to his nephew. "Hoàng Tự" imagines a hypothetical journey that doesn't strictly follow historical events, aiming to raise the fundamental question of power, whether in times of crisis, those who hold special privileges, such as the old feudal regime, are willing to abandon personal interests, family lineage, accept their own impotence, and put hope in another talented individual among the masses, regardless of what is called "lineage", "bloodline", "royal descent", or not?
38
Guest
Appearances
KIM DONG HO
Busan Film Festival co-founder and festival director
“I believe the film festival organized many meaningful events. I am confident that this festival, or the film industry in Ho Chi Minh City, will play a leading role in advancing the development of Vietnamese cinema."
"I also hope that the Vietnamese film industry will assume a leading role that other Southeast Asian countries can look to and emulate for collective development."
TOM CROSS
Academy Award winner, WHIPLASH
Olivier pere
KORE-EDA HIROKAZU
Award winning Japanese director, MONSTER, HIFF 2024 Director Symphony
"This is the first time it has been organized, but I see that the organization is meticulous. It is a meaningful place that encourages, trains, and nurtures talent, bringing filmmakers closer to the audience and connecting them with international colleagues."
"This festival has been very impressive. Over the past few days, I have been delighted to work with my colleagues on the jury as they are very friendly and open. I have made many new friends during this festival. The competing films vary in style and are all very unique, making it difficult to choose one over another as each film has its own special qualities. We, the jury, are all very pleased with today's results."
39
Arte France Cinéma, Cannes Director's Fortnight Director
"I am very excited to be part of this film festival. As a juror, I will start watching and judging the films entered. I am curious and enthusiastic about the upcoming activities. I am eager to explore Vietnam and meet Vietnamese producers and directors, and perhaps, collaborate with them in the future."
Guest
Appearances
KIM jee-woon
Award winning South Korean director, A TALE OF TWO SISTERS
"I am very impressed with this film festival. Through the activities, I see that Vietnam has strong human resources, with many young people studying in the film industry who possess good knowledge and filming techniques. Therefore, I think this contributes significantly to film production. If given the chance, I would come to make films in Ho Chi Minh City. I will also introduce Vietnam to my colleagues in South Korea so that they can come here to collaborate on filmmaking. I believe that the future of Vietnamese cinema will be very promising."
Kim Donghyun
Jérémie Kessler
CNC - Centre national du cinéma et de l’image animée
“In recent times, the Vietnamese domestic film market has been experiencing strong and impressive growth with many films achieving high box office revenues, as well as receiving positive reviews from both domestic and international film critics. CNC views Vietnam as an important partner in the region, and there have been many effective collaborative activities such as providing film experts and supporting projects by young Vietnamese filmmakers.”
“A representative from CNC expressed interest in the proposals from the Ministry of Culture, Sports and Tourism, and also indicated plans for more specific collaboration activities in the near future. For now, both parties have agreed to organize screenings of classic films from both countries, especially those internationally awarded films that have received support and investment from CNC and France in general, at the Vietnamese Cultural Center in Paris. CNC is also looking for opportunities to continue promoting Vietnamese cinema at French film festivals such as the Cannes Film Festival and the Three Continents Festival.”
Interim director, Korean Film Council
"Vietnamese cinema is similar to South Korea in the 2000s when the market was expanding, with many investment resources and numerous works being created.”
"I hope Vietnam will adopt appropriate directions, especially in utilizing and promoting local cultural elements. The experiences of South Korea should also serve as lessons for Vietnam to avoid the mistakes we have made."
40
Guest
Appearances
Sheron Dayoc
Film Director - “Gospel of The Beast” - Golden Star Ward - HIFF 2024
"I am overwhelmed; I did not expect the film to receive this award. I am very happy. The film festival was very well organized. As a filmmaker, I felt warmly welcomed. The organizers always ensured that filmmakers and their films were appropriately valued. This is very important for filmmakers. The organizers took great care of us. It has been a very memorable experience for us."
Marc Knapper
U.S. Ambassador to Vietnam
Daniel Hui
Liza Soberano
"This film festival brings many benefits to countries. There have been several American films made in Vietnam. I am very hopeful that more Hollywood filmmakers as well as those from other film industries will want to come to Vietnam to make films, work with Vietnamese talent, and conduct business. There is a lot of potential for cooperation between our two countries."
41
Award winning American and Filipino actress - HIFF 2024 Jury member
“So thrilled and honored to have served as a jury member for the first ever Ho Chi Minh International Film Festival.” “It was such an amazing showcase of talented filmmakers from all over the world!! Truly so inspired to continue working in an industry that encourages freedom of expression and challenges the way we think. Congratulations to all winners!”
Film Director - HIFF 2024 Project Market Winner - OTHER PEOPLE’s DREAM
"At the project market, it wasn't just me, but also producers and directors from the Philippines and Singapore who attended. The project market has helped young filmmakers like me in developing ways to persuade investors, exchange ideas, and receive advice on film production from renowned experts in the industry. It was a very valuable experience for me."
Media Coverage and Public Engagement
Media Coverage
1K+
Article
Extensive Reach
148
Local Outlet
Global Exposure
High Engagement
Diverse Content
HIFF 2024 has garnered significant media attention, with coverage across major news outlets, entertainment publications, and specialized film industry media. Reports highlight the festival's premieres, celebrity appearances, and the impact on the local and international film scene, enhancing its reputation and outreach this year.
>15
International Outlet
The festival garnered over 1070 articles across various media platforms including print, digital, and broadcast.
Media outlets from more than 20 countries covered the festival, spotlighting its international appeal and impact.
Social media posts related to the festival reached hunreds millions, with engagement rates soaring during the festival week.
Coverage included in-depth reviews, interviews with filmmakers and actors, and behind-the-scenes content, offering audiences comprehensive insights into the event.
42
Media Coverage and Public Engagement
POSM, OHH
1k+
Square Meters
Total Coverage Area
Variety of Materials
Digital Displays
Strategic Placement
400+
pano, flyer, standee
Wide Reach
The POSM and OOH advertising strategies for HIFF 2024 were implemented on a grand scale, covering a substantial area and utilizing a diverse range of advertising mediums. Various forms of promotional materials including LEDs, panos, flyers, and standees strategically placed across key locations around the city, ensuring high visibility and engaging a wide audience.
100+
LEDs
The POSM and OOH advertising covered a total area of over 1,000 square meters.
Utilized 400 promotional materials including panos, flyers, and standees across strategic locations.
Deployed hundreds of LED displays around the city, maximizing visibility.
Materials and digital displays were strategically placed in high-traffic areas to optimize audience engagement and visibility.
The extensive use of both traditional and digital advertising formats ensured a comprehensive reach, targeting both local residents and tourists.
43
Media Coverage and Public Engagement
Social
Outreach
100M+
Reach
Broad Engagement
4k+
Social Post
Interactive Content
Live Updates
Community Building
HIFF 2024 enhances its social media outreach by actively engaging audiences through platforms like Instagram, Facebook, and TikTok, sharing updates, behind-the-scenes content, and interactive live sessions with filmmakers. HIFF also leverages user-generated content and hashtag campaigns to increase visibility and encourage broader participation from the global film community.
10+
Live streaming
The festival's social media campaigns reached an audience of over 50 million people across platforms such as Facebook, Instagram, and TikTok...
Over 4000 posts and updates during the festival period, driving significant engagement through likes, shares, and comments.
Live streaming of key events and red-carpet moments captured thousands of views, enhancing real-time engagement with global audiences.
The festival’s hashtags trended on social media, creating a vibrant online community of film enthusiasts and industry professionals.
44
Media Coverage and Public Engagement
Public Engagement
250k+
Attendee
Attendance Figures
73
Event
Interactive Sessions
Outdoor Screenings
Feedback
and Participation
HIFF 2024 actively engages the public through interactive sessions, Q&A with filmmakers, and open forums that allow audiences to delve deeper into the filmmaking process and themes. Additionally, the festival leverages social media platforms to foster discussions, share highlights, and encourage community participation, broadening its reach and engagement with a diverse audience.
20k+
viewers
More than 73 events, including seminars and Q&A sessions, facilitated direct interactions between filmmakers and the audience.
Over 4000 posts and updates during the festival period, driving significant engagement through likes, shares, and comments.
Special open-air screenings drew large crowds, with approximately 30,000 viewers participating in these accessible and free events.
Post-event surveys indicated high satisfaction rates, with 85% of participants expressing a positive overall experience and showing interest in future editions.
45
Media Coverage and Public Engagement
Media analysis
Local
Media
International
Media
The Ho Chi Minh City International Film Festival (HIFF) garnered extensive media coverage and public engagement, reflecting its significant impact and reach. Throughout the festival, various forms of media including television, radio, print, and online platforms featured extensive reporting and analysis, contributing to a comprehensive exposure of the event both locally and internationally.
Article Topics: Articles covered various aspects of the festival, including previews of what to expect at the festival, reviews of specific films and events, and highlights from the red carpet appearances.
Notable Publications: Coverage was led by major publications such as "Tuổi trẻ," indicating significant local interest and media involvement.
Key Articles:
46
Global Reach: Articles from renowned international outlets like Screen Daily and Deadline highlight the festival's global appeal and its positioning within the international film community.
Highlighted Topics:
Media Coverage and Public Engagement
Media coverage
HIFF 2024 received extensive media coverage both locally and internationally, reflecting its successful inauguration and substantial impact on the film industry. The local press provided detailed event coverage, audience guides, and post-event analyses, which contributed to high public engagement. Internationally, the festival was positioned as a significant new player in the global cinema scene, with its ability to attract major films and industry figures. This blend of local enthusiasm and international recognition underscores the festival's potential to become an annual highlight on the global film festival calendar, promoting cultural exchange and cinematic innovation.
Television and Radio: National and local broadcasters aired live segments, interviews with filmmakers, and special reports on the festival's highlights. Notable television channels featured dedicated programs that discussed the festival’s impact on the local film industry and its role in promoting cultural exchange.
Print Media: Leading newspapers and magazines published daily updates, critiques of featured films, and interviews with prominent attendees. The coverage included pre-event anticipation pieces, daily festival highlights, and post-event analysis, ensuring continuous visibility in print media.
Online Media: Digital platforms and social media played a crucial role in real-time updates and interactions. The festival’s official website and social media channels streamed selected events and panels, posted behind-the-scenes content, and facilitated discussions among viewers. Influential bloggers and online critics provided reviews and thematic explorations of the films showcased.
International Coverage: International media outlets highlighted the festival’s role in showcasing Southeast Asian cinema to the world. Features on collaborative projects launched at the festival and interviews with international filmmakers underscored its global relevance.
47
Media Coverage and Public Engagement
Public Engagement
Audience Participation: The festival successfully attracted a diverse audience, ranging from cinephiles and industry professionals to casual moviegoers. Interactive sessions, such as Q&As with directors and actors, allowed the audience to engage deeply with the creative processes behind the films.
Social Media Interaction: The festival's social media platforms were buzzing with activity, featuring hashtag campaigns, live polls, and audience reactions. These platforms facilitated a broader conversation about the films and themes presented at the festival, enhancing viewer engagement and fostering a community of film enthusiasts.
Educational Outreach: HIFF organized workshops and panel discussions focusing on various aspects of filmmaking, from scriptwriting and directing to cinematography and post-production. These sessions were well-attended and provided valuable educational opportunities for emerging filmmakers and students.
Cultural Events: The festival also included cultural performances and exhibitions that celebrated local art and heritage, enriching the festival atmosphere and providing attendees with a holistic cultural experience.
Overall, the extensive media coverage and enthusiastic public engagement highlighted the festival's success in not only showcasing outstanding films but also in stimulating meaningful discussions and cultural exchange. The positive reception and active participation underscored the festival's growing importance as a emerging platform for the global film community.
48
Media Coverage and Public Engagement
Audience statistics
49
Logistics
CINEMA
Galaxy Nguyen Du
Galaxy Sala
BHD Thao Dien
CGV Ly Chinh Thang
CGV Thao Dien
CGV Pearl Plaza
Cinestar HBT
Cinestar Quoc Thanh
Lotte Goldview
Lotte Nowzone
Mega GS Cao Thang
Beta Quang Trung
Opera House
TRavel & transfer
flight
CAR
driver
231
85
85
hotel
6
5 star hotels
room
night
139
1327
10 days 5 - 14 April
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industry
impact
Promotion of Vietnamese Cinema
Talent Development
Industry Networking
Boosting Film Production and Investment
The Ho Chi Minh City International Film Festival has had a profound impact on the film industry, both locally and internationally. Here are several key areas where HIFF's influence is particularly notable:
HIFF has significantly elevated the profile of Vietnamese cinema on the global stage. By showcasing local films alongside international entries, the festival provides Vietnamese filmmakers with a platform to reach a broader audience. This exposure helps attract international investors and distributors, leading to increased opportunities for local films to be shown in overseas markets.
The festival is instrumental in discovering and nurturing new talent within the film industry. Workshops, masterclasses, and panels conducted by international experts offer local filmmakers and students unparalleled opportunities to learn and develop their skills. These educational components of HIFF help elevate the overall standard of professionalism and craftsmanship in the Vietnamese film industry.
HIFF serves as a critical networking hub, connecting Vietnamese film professionals with their international counterparts. These interactions often lead to collaborations and partnerships that transcend borders. The networking opportunities provided by the festival help local professionals gain insights into global industry trends and best practices, fostering innovation and creativity within the local market.
The international attention garnered by HIFF attracts more significant investment into the Vietnamese film industry. This influx of capital supports larger and more technically challenging projects, driving growth and innovation in the sector. Furthermore, the success of films at HIFF can inspire confidence among investors, encouraging further investment in Vietnamese cinema.
51
industry
impact
Cultural Exchange
Enhancing Industry Standards
Economic Impact
HIFF promotes a rich cultural exchange by featuring films from around the world, exposing local industry professionals and audiences to diverse storytelling styles, themes, and filmmaking techniques. This exposure is invaluable as it broadens the creative horizons of filmmakers and audiences alike, encouraging a more dynamic and diverse cinematic output.
The festival sets high standards for film quality, impacting local production values. Filmmakers aspiring to participate in HIFF are motivated to meet international standards, which drives quality improvement across all aspects of film production in Vietnam, from scripting and directing to cinematography and post-production.
Beyond its cultural contributions, HIFF also stimulates the local economy directly and indirectly. The festival attracts tourists and film professionals who spend on accommodations, dining, and entertainment, benefiting local businesses. Additionally, the festival itself creates numerous temporary jobs, from event management to technical support.
In summary, the Ho Chi Minh City International Film Festival significantly impacts the film industry by fostering talent, enhancing industry standards, facilitating international networking, and attracting investment. Its role in promoting Vietnamese cinema on the global stage while contributing to the local economy and cultural landscape is significant.
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SOCIAL
impact
Cultural Enrichment and Diversity
Community Engagement
Educational Opportunities
Dialogue and Debate
Increased International Attention
The Ho Chi Minh City International Film Festival (HIFF) has made substantial social impacts, deeply influencing cultural exchanges and community engagement within Ho Chi Minh City and beyond. Here are the notable social effects of HIFF:
HIFF enriches the local culture by introducing a diverse range of films from around the world, promoting understanding and appreciation of different cultural perspectives and narratives. This exposure helps foster a broader worldview among the audience, contributing to a more inclusive society.
The festival actively involves local communities by hosting screenings in public spaces like Nguyen Hue Walking Street and Thủ Thiêm's Cine Park, making cinema accessible to a broader audience. Such activities encourage community participation and engagement, turning the festival into a citywide event that residents look forward to each year.
HIFF provides educational opportunities for local students and film enthusiasts through its workshops, seminars, and talks led by industry experts. These sessions are crucial for inspiring the next generation of filmmakers and giving them firsthand insights into the film industry's creative and business aspects.
The films shown at HIFF often tackle significant social issues, sparking discussions and debates among viewers. This function of the festival as a platform for dialogue contributes to a more informed and engaged public, who are encouraged to reflect on and discuss critical topics presented through the medium of film.
The international caliber of the festival draws attention not only to the films but also to Ho Chi Minh City as a vibrant cultural hub. This enhanced profile can lead to increased cultural tourism, which brings economic benefits and fosters a global cultural exchange.
53
SOCIAL
impact
Promotion of Social Issues
Volunteerism and Civic Pride
Many films featured at HIFF address critical social issues, including environmental concerns, and social justice. By highlighting these topics, the festival plays an essential role in raising awareness and advocating for social change through the powerful medium of film.
The festival's reliance on a large volunteer force fosters a sense of civic pride and community service. The involvement of local volunteers in facilitating the festival operations offers them a sense of ownership and pride in contributing to a significant cultural event, enhancing community spirit and cohesion.
In conclusion, the Ho Chi Minh City International Film Festival extends its impact beyond entertainment, contributing significantly to the social fabric of the city and its international stature as a cultural destination. It not only entertains but also educates, engages, and inspires, making it a pivotal event in Vietnam’s cultural calendar.
54
Social
responsibility
The Ho Chi Minh City International Film Festival carries significant social responsibilities, underpinning its commitment to fostering cultural enrichment, community engagement, and sustainable development within the film industry and the wider community. Here’s a detailed outline of HIFF's social responsibilities:
Promoting Cultural Diversity and Inclusion
HIFF is committed to showcasing a diverse array of films that represent various cultures, languages, and perspectives. This responsibility involves curating selections that not only entertain but also educate audiences about global cultures and social issues, promoting tolerance and understanding among diverse communities.
55
Supporting Local and Emerging Talent
HIFF takes on the responsibility of nurturing the local film industry by providing a platform for Vietnamese and Southeast Asian filmmakers. This includes prioritizing the inclusion of films from these regions in the festival lineup and offering development programs like workshops, training sessions, and pitching opportunities to foster local talent.
Educating Through Cinema
HIFF embraces its role in education by organizing panels, workshops, and Q&A sessions with filmmakers and industry professionals. These educational components are aimed at students, aspiring filmmakers, and the general public to deepen their understanding of cinema’s impact on society and its potential for storytelling.
Social
responsibility
Engaging with the Community
The festival actively engages with the local community by organizing free public screenings and involving local businesses and artisans in festival-related events. This approach not only makes the festival more accessible but also stimulates the local economy and promotes community involvement.
Advancing Environmental Sustainability
Recognizing its environmental footprint, HIFF commits to sustainability practices such as reducing waste, promoting digital ticketing and program materials, and encouraging sustainable transport options for attendees. These initiatives reflect the festival's dedication to minimizing its environmental impact.
Advocating for Social Issues
HIFF uses its platform to highlight and advocate for pressing social issues presented in the films it showcases. By selecting films that tackle themes such as environmental crises, and social justice, the festival catalyzes important conversations and encourages audiences to reflect and act on these global challenges.
Promoting Accessibility
Ensuring accessibility at all festival venues and events is a key responsibility. HIFF is dedicated to providing subtitles, language interpretation, and accessibility to ensure that all attendees can enjoy and participate in the festival.
Upholding Ethical Standards
HIFF holds itself to high ethical standards in all its operations. This includes transparent selection processes for films, fair treatment of staff and volunteers, and integrity in partnerships and sponsorships.
56
Future
Outlook
The future outlook for the Ho Chi Minh City International Film Festival (HIFF) is promising, with several strategic initiatives and trends poised to shape its trajectory. As HIFF continues to evolve, it aims to enhance its global reputation, broaden its impact, and deepen its engagement with the cinematic world and local community. Here are key aspects of the festival's future outlook:
57
Expansion of Film Selections
Diverse Film Selection: To broaden its appeal and showcase a wider array of cultural perspectives, HIFF will increase the diversity of its film selections, including more films from underrepresented regions and genres.
Focus on Emerging Filmmakers: A new competitive section will be introduced to spotlight first-time filmmakers and student films, providing a platform for new voices in the industry.
Future
Outlook
Industry and Community Engagement
Educational Workshops and Masterclasses: Year-round educational programs will be expanded, including filmmaking workshops, screenplay writing seminars, and masterclasses led by renowned filmmakers and industry professionals.
Community-Based Projects: Initiatives to engage the local community through outreach programs that include free public screenings in underserved areas, and film literacy programs aimed at students and seniors.
Technological Advancements
Digital Integration: Enhancing the digital experience for attendees through a dedicated app that offers schedule tracking, real-time notifications, and interactive content. This will improve audience engagement and streamline the festival experience.
Sustainability Practices
Building on a commitment to social and environmental responsibility, HIFF intends to become a leader in sustainable festival practices. This will involve more comprehensive green policies, such as reducing waste, promoting recycling, and ensuring all festival venues are eco-friendly, which will appeal to environmentally conscious sponsors and attendees.
58
Future
Outlook
Innovation in Viewing Experiences
Enhanced International Collaboration
Global Film Partnerships: Strengthening ties with other international film festivals to facilitate cultural exchange and co-productions. This includes partnership agreements for shared programming and joint events.
International Market Expansion: A new section of the festival will be dedicated to international market trends and distribution strategies, aiming to become a pivotal market for Asian cinema on the global stage.
Hybrid Festival Model: Developing a robust online platform to complement the physical festival, enabling global participation. This includes live-streaming select screenings and interactive Q&A sessions with filmmakers.
Interactive Screenings: Experimenting with live interactive elements during film screenings, such as live polls and audience choice endings, to increase engagement.
These future plans and innovations are designed to enhance HIFF's international standing, engage with a broader audience, and make the festival a leader in showcasing cinematic innovations while supporting the growth and development of the film industry both locally and globally.
59
Appreciation
Strategic partners
CINESHOW EXCLUSIVE SPONSOR
GOLD SPONSOR
SILVER SPONSOR
FESTIVAL PARTNER
EXCLUSIVE POST-PRODUCTION PARTNER
OFFICIAL MEDIA PARTNERS
OFFICIAL SPONSOR
PROJECT MARKET PARTNER
VIETSCRIPT LAB PARTNER
PAYMENT SPONSOR
VENUE SPONSOR
OFFICIAL TRANSPORTATION SPONSOR
ACCOMMODATION SPONSOR
60
Appreciation
TECHNOLOGY PARTNERS
COMMUNITY PARTNERS
SOCIAL INTELLIGENT SOLUTION SPONSOR
OPERATION PARTNER
HEALTHCARE SERVICE SPONSOR
We are profoundly grateful to all our strategic, gold, silver, and exclusive sponsors, including notable companies like THACO, IPPG, BHD, Galaxy Cinema, and many others. Their generous contributions have been instrumental in elevating the festival's scale and enhancing its impact, bringing world-class cinema to Ho Chi Minh City. The support from sectors across finance, technology, hospitality, and media has not only enriched the festival experience but has also played a crucial role in fostering cultural exchanges and advancing the cinematic arts in Vietnam. We extend our heartfelt thanks to each partner for their vital role in making HIFF 2024 a resounding success and look forward to future collaborations to continue this exciting journey of cinematic exploration.
We extend our deepest appreciation to the volunteers and participants of the Ho Chi Minh City International Film Festival (HIFF) 2024. Your enthusiasm, commitment, and hard work have been the backbone of this festival’s success. Each volunteer’s dedication to providing a welcoming and efficient environment helped us showcase the power and beauty of cinema. Similarly, we are immensely grateful to all participants - filmmakers, speakers, and industry professionals - whose contributions brought depth and diversity to our festival. Your films, insights, and discussions have enriched the cultural tapestry of our event and inspired audiences from around the world. Thank you for your invaluable participation and for making HIFF 2024 a memorable and impactful celebration of international cinema.
61
Appendices
the team
HONORARY CHAIRMAN
ADVISOR
62
Appendices
the team
Artistic director
executive director
63
Appendices
the team
HEAD PROGRAMMER
programmer
64
Appendices
the team
jury
golden star award
65
Appendices
jury
emerging filmmaker award
jury
short film
66
Appendices
the team
project market
head
mentor
jury art house project
jury entertainment project
67
Appendices
the team
SCRIPT LAB
head
mentor
68
Appendices
jury tv series
jury feature film
69
Appendices
the team
the face
ambassador
70
Appendices
ambassador
71
Appendices
the team
HEAD PRODUCER
LINH TRẦN
PRODUCER
TRẦN LÊ HÀ MY
PHẠM MINH CHÍ
LÊ THẢO VY
HCMC CONTEMPORARY ARTS PERFORMING CENTER
DEPUTY DIRECTOR - TRẦN KIM HOA, HUỲNH THỊ HẢI ÂU
STAFF
LÊ HƯỚNG DƯƠNG, NGUYỄN THANH AN, NGUYỄN BÁ PHƯƠNG, ĐẶNG THANH SỬ, TRẦN THỊ THẢO CHI, NGUYỄN THỊ CẨM TIÊN, PHẠM NGỌC HIỀN, HUỲNH THỊ NGỌC ÁNH, LÊ LƯƠNG HẢI, HOÀNG VIỄN ĐÔNG, PHẠM THỊ LAN ANH, PHAN NGUYỄN KIM ĐÀO, NGUYỄN THỊ THANH THƯ, PHẠM THANH SƠN, NGUYỄN THÁI HẢI, LÊ HOÀNG LÂM, NGUYỄN HOÀNG PHƯỢNG, TRẦN THỊ HƯƠNG, LÊ BẢO NGỌC, HUỲNH NGỌC AN, LÊ KIM ĐẠT PHI, TRẦN KIM CƯƠNG, LÊ THỊ HẠNH, PHAN THỊ THU, NGUYỄN THANH TUẤN, NGUYỄN MINH TIẾN
HEAD OF GUEST SERVICE
BÙI NGỌC PHƯƠNG
ADMIN & ACCOUNTING
VÕ NGUYỄN THUÝ VY - DƯƠNG THỊ HỒNG - NGUYỄN THỊ MINH KHUYÊN
INFORMATION TECHNOLOGY
NGUYỄN TIẾN CÔNG - LÊ MẠNH HẢI
72
Appendices
the team
MARKETING & PR
ĐÀM QUANG TRUNG - THÂN THỊ MỸ HÀ - BÙI HÀ LINH - HUỲNH HOÀNG DŨNG - LÊ THẢO VY - TRƯƠNG THẾ TOÀN - LÊ ANH HIẾU - HUỲNH HỮU NHÂN - NGUYỄN DƯƠNG NGỌC THUỶ - NGUYỄN VĂN HOÀNG - LÊ NGỌC GIA HÂN - ĐẶNG DUY VỸ - LƯU HUỆ LINH - NGÔ NHẬT ANH THƯ - LÊ HỒ ANH THƯ - HUỲNH LÂM MINH TRÍ
GRAPHIC DESIGN
TRẦN VĂN CHIẾN - NGUYỄN PHAN THÀNH VINH - NGUYỄN PHI CƠ - TRƯƠNG HOÀNG LIÊM - NGUYỄN VĂN TÙNG - TRẦN NHẬT HY - TRẦN MINH QUÂN - NGUYỄN ĐĂNG KHOA
ACCOUNT & SPONSOR
LÊ DUY TÂN - ĐỖ NGỌC DIỄM TRINH - MAI HUỲNH - HẬU TRẦN - TRƯƠNG THẾ TOÀN - HUỲNH HOÀNG DŨNG - NGUYỄN DƯƠNG NGỌC THỦY - LÊ NGỌC GIA HÂN - NGUYỄN THỊ TƯỜNG VI - HẦU PHƯỚC THỊNH - HUỲNH THỊ YẾN NHI
PRODUCTION
LÊ QUANG - NGUYỄN ÍCH PHONG - PHẠM MINH QUÂN - NGUYỄN QUANG LỘC - VŨ THỊ THÙY TRANG - DƯƠNG TRẦN THỤC ĐOAN - HUỲNH MINH KHANG
POST-PRODUCTION SERVICE: SKYFILM LAB
HẰNG TRỊNH
HÀ PHẠM LỘC HÂN - HỒ ĐẮC LÊ MINH - NGUYỄN MẠNH QUÂN - TRẦN BÌNH AN
CENSORSHIP SUBMISSION
NGUYỄN THỊ BÍCH PHƯỢNG - LẠI THUỲ CHI - LÊ THẢO VY - NGUYỄN KHÁNH NGÂN -
VÕ NGUYỄN THUÝ VY
73
Appendices
the team
PROJECT ASSISTANT
NGUYỄN KHÁNH NGÂN - MAI CẨM TIÊN - VÕ HOÀNG DIỆU LINH - NGUYỄN ĐỖ NHƯ XUÂN - HUYỀN VÕ
RED CARPET COORDINATOR
NHẠN PHẠM - TÂM LINH - HOÀI SHANE - THẢO VY - NGUYỄN LÊ THÀNH DANH - NGUYỄN HOÀI PHONG - LÊ MINH PHÚ - ÔN GIA BẢO - NGUYỄN HUỲNH ĐỨC DUY - ĐỖ HUỲNH MINH ANH -
LÊ ANH HIẾU - NGUYỄN LƯƠNG NGUYỆT HÀ - ĐOÀN THẢO MY - NGUYỄN LÝ ĐĂNG DUY - PHAN ANH TUẤN - DƯ VŨ VIỆT ANH - PHAN TRỌNG PHÚC - TẠ DUY ĐỨC - VÕ TRUNG KIÊN - TRẦN MINH PHÚ - LÊ ANH CHINH - NGUYỄN ĐỨC HUY - NGUYỄN THỊ KIM NGỌC
PROJECT MARKET COORDINATOR
NGUYỄN HỒNG THU - ĐÀO TRỌNG KHÔI - ĐINH THỊ MỸ LINH
PROJECT MARKET SUPPORTER
HỒ NGỌC BẢO KHANH - PHAN THỊ THU GIANG
SCRIPT LAB COORDINATOR
NGUYỄN KHÁNH NGÂN
SCRIPT LAB GUEST SPEAKER
NHI BÙI - TRẦN KHÁNH HOÀNG - NGUYÊN LÊ
SCRIPT LAB INTERPRETER
ĐOÀN HẢI VÂN - LUCAS LUÂN NGUYỄN
SCRIPT LAB READER
KHANH TẠ - PHÁT NGUYỄN - THANH HUYỀN
74
Appendices
the team
SCRIPT LAB SUPPORTER
ĐINH THỊ MỸ LINH - VŨ NGỌC HUY HOÀNG - LÊ THỊ LINH - QUẢN THỊ HỒNG LIÊN - HUỲNH NGỌC PHƯƠNG LINH - BÙI NGUYỄN ĐĂNG KHOA - VÕ ĐOÀN HIỂU HÂN - PHẠM NGỌC NHƯ - TẠ THỊ HỒNG MY - TRẦN THU HƯƠNG - PHẠM LAN CHI - TRƯƠNG THỊ KIM THẢO - VÕ THỊ HỒNG HUYỀN - NGUYỄN THỊ THU THẢO - BÙI QUỲNH GIAO - HUỲNH PHƯƠNG NHUNG - NGUYỄN PHƯƠNG HOA - DƯƠNG ANH NGUYÊN - LÊ NGUYỄN PHƯƠNG QUỲNH - NGUYỄN THỊ MỸ LINH - PHẠM HỒNG THUẬN - BÙI NGỌC ANH
CINEMA COORDINATOR
NGUYỄN QUANG LỘC - NGUYỄN ANH KIỆT - TRƯƠNG THỊ YẾN NHI - LÊ ANH HIẾU -
NGUYỄN LƯƠNG NGUYỆT HÀ - THÂN THỊ MỸ HÀ - ĐOÀN THẢO MY
Q&A MODERATOR
NGUYÊN LÊ - LÊ HỒNG LÂM - TÁM SÀI GÒN - AARON TORONTO - LÊ NGỌC QUẾ CHI - TRƯƠNG QUẾ CHI - TRỊNH QUANG MINH - THẾ TUẤN - ĐÀO LÊ NA - HỒ KHÁNH VÂN - RED PO - THỤY ANH - XUÂN MAI - XUÂN PHÚC - PHONG KIỀU - MC QUỲNH HOA
OUTDOOR SCREENING
PHẠM MINH CHÍ - ĐINH VĂN TUẤN - NGUYỄN ANH KIỆT
CINEMA TECHNICAL
NGUYỄN QUỲNH DƯƠNG - NGUYỄN THỊ THANH HUYỀN - VÕ MINH HUY -
NGUYỄN VĂN SĨ - NGUYỄN THỊ HỒNG
MERCHANDISE
HUỲNH HỮU NHÂN - NGUYỄN LÊ TUẤN PHÁT - LƯU DUY ĐẠT - NGUYỄN HỒNG THUÝ VY - NGUYỄN NHẬT QUYỀN - PHẠM LAN VY - NGUYỄN HOÀNG YẾN NHI - DƯƠNG TRẦN THỤC ĐOAN - NGUYỄN THỊ YẾN DUY - TRẦN THỊ THANH NGÂN - PHẠM MỸ NGUYÊN - TRẦN THỊ THẢO VY - TRẦN THỊ HỒNG NGÂN - PHẠM HOÀNG PHƯƠNG VY - NGUYỄN NGỌC MỸ LINH - TRƯƠNG MỸ THANH - VÕ NGỌC ANH THƯ - TRẦN THU HƯƠNG
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INTERPRETER
HUỲNH ANH THƯ - NGUYỄN THỊ CẨM - TRẦN LÊ QUYÊN - LÊ TIẾN THÀNH - NGUYỄN TUẤN NAM - TRẦN KHANG AN - TRẦN HOÀNG HÀ
HOSPITALITY
NA TRẦN - TRẦN NGUYỆT XUÂN NHƯ - ĐINH THỊ MỸ LINH - NGÔ THỊ PHƯƠNG THẢO - ĐỖ NGUYỄN QUỲNH ANH - ĐẶNG NHƯ TUẤN ANH - NGUYỄN MẬU TRUNG TRỌNG - NGUYỄN LÊ BẢO NGHI - LÊ THỊ KIỀU ANH - LÂM ĐỨC KHANG - VŨ HỒNG NHUNG - VÕ ĐÔNG THỤC UYÊN - NGUYỄN HỒ TÍN NGHĨA - PHẠM THỊ KIM NGÂN
HOSPITALITY SUPPORTER
KHANH PHẠM - LÊ THỊ HOÀNG YẾN - TRẦN XUÂN NGHI - NGUYỄN KHÁNH LY - TRẦN NGÔ KỲ ANH - ĐINH QUÝ PHƯƠNG ĐÔNG - SÁI NGUYỄN BẢO NGỌC - BÙI KIM QUỲNH GIANG - NGUYỄN NGỌC THUỲ TRÂN - HOÀNG THỊ QUỲNH HƯƠNG - LỮ HOÀNG PHƯƠNG THẢO - NGUYỄN THỤC NHI - TẠ NGUYỄN NHƯ ANH - NGUYỄN THỊ THÙY DƯƠNG - ĐỖ TRÀ MAI - NGUYỄN PHAN TƯỜNG LINH - VÕ TÂM NHƯ - TRẦN THỊ KIM HÂN - NGUYỄN THỊ THANH VY - NGUYỄN HỒNG HUÂN - BÙI YẾN NHI - NGUYỄN THẢO NHI - NGUYỄN QUANG QUÂN - TRẦN HƯNG PHÁT - SÚ Ỷ KỲ - HOÀNG LAN - QUẢN THỊ THUỲ DƯƠNG - NGUYỄN MINH HƯƠNG - TRẦN THIÊN NGUYÊN PHỤNG - LẠI THU TRANG - NGÔ ĐẶNG MINH TÂM - TRẦN THU PHƯƠNG - NGUYỄN THỊ ANH THƯ - NGUYỄN NGỌC HÀ - TRẦN NGỌC THẢO NHI - PHẠM HỒNG PHẤN - NGUYỄN THỊ THÙY TRANG - PHẠM LÊ PHƯƠNG THẢO - NGUYỄN THỊ TÚ TRINH - TRẦN XUÂN ANH - HUỲNH MAI XUÂN YẾN - CAO ANH THƯ - NGUYỄN PHƯƠNG THU - PHẠM KHÁNH UYÊN - HUỲNH KHÁNH LINH - NGÔ THẢO LINH TRANG - TRẦN VŨ MINH ANH - TRẦN GIA HUY - HỒ LÊ PHƯƠNG QUYÊN - LÊ PHAN LINH CHI - LÊ MINH PHƯƠNG - HUỲNH THỊ HƯƠNG GIANG - NGUYỄN VŨ BÍCH TRÂM - TRƯƠNG BÁCH ÂN - NGUYỄN ĐĂNG HOÀNG LONG - VÕ CAO KỲ NGUYÊN - NGUYỄN PHƯƠNG THU - PHẠM HỒNG PHÚC - NGUYỄN XUÂN THẢO - HỒ NGỌC BẢO KHANH - NGUYỄN LAN ANH - TRẦN THỊ THU THẢO - LÊ HOÀNG Ý NHƯ - BÙI ĐĂNG KHOA - LÊ THỊ THANH NHI - PHAN BẢO NGỌC - NGUYỄN HỒ MAI TRANG - TRẦN THỊ KIM ANH
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OPERATION
PHẠM MINH CHÍ - TRẦN THỊ TÂM LINH - NGUYỄN TUẤN KHOA - ĐỖ TRUNG TIẾN - NGUYỄN KHẮC THỊNH - HUỲNH KHÁNH HUY - LẠI THỊ NGỌC ÁNH - NGUYỄN HẠNH NGUYÊN - ĐẶNG THỊ XUÂN HOÀ - ĐẶNG NGUYỄN ĐĂNG KHOA - LƯU THỊ PHƯƠNG THẢO - ĐÀO HIỀN ANH - VÕ HUỲNH PHONG - CHU KHÁNH HUYỀN - HOÀNG THỊ MỸ DIỆN - NGUYỄN DANH GIANG THANH - ĐÀO PHÙNG CẨM TÚ - PHẠM THANH AN - CẢNH LÊ - MINH TÚ - NGUYỄN KIM AN PHÚ - HÀ MINH HUY - ĐỖ TRỌNG HUY - HUỲNH KIM NGÂN - HUỲNH KIM NGÂN - TRẦN ĐẶNG THIÊN KIM - LƯU CẨM TIÊN - NGUYỄN CÔNG THIỆN - NGUYỄN MINH DANH - BÙI HOÀNG GIA HÂN - VÕ THỊ NGỌC MAI - LÊ TRƯƠNG BẢO TRÂN - NGUYỄN NGỌC PHƯƠNG TRINH - PHAN KHÁNH LINH - NGUYỄN THỊ THU HẰNG - TRẦN THANH THY - DƯƠNG TRÚC PY - NGÔ THẢO VY - ĐỖ PHẠM HOÀNG QUÂN - NGỌC LINH - NGUYỄN ĐÌNH BẢO TRÂN - TRẦN ĐẶNG TƯỜNG VI - CHÂU THANH HỒNG ĐÀO - TRƯƠNG MỸ NGỌC - LÊ MINH PHÚ - PHAN TRÚC VY - NGUYỄN THỊ MỸ LINH - LÊ THỊ NHƯ MAI - LÊ TRƯƠNG NHẬT ANH - LÊ VÕ PHƯƠNG UYÊN - ĐẶNG THỊ NHẬT MINH - VÕ THỊ THANH TRÚC - NGUYỄN TÂY ĐÔ - QUÁCH BẢO DUY - TRỊNH ÁNH NGỌC - NGUYỄN LỮ HOÀI DUNG - LÊ NGUYỄN BẢO NGÂN - TRẦN THỊ VY - ĐỖ NGUYỄN XUÂN THANH - PHÙNG CÔNG THỊNH - DƯƠNG ÁNH XUÂN - NGUYỄN CÔNG DANH - NGUYỄN VĂN HOÀNG - TRƯƠNG QUỐC BẢO - NGUYỄN DƯƠNG MAI NGUYÊN - NGUYỄN THỊ THANH TRÚC - NGUYỄN THỊ BÍCH TRÂM - TRỊNH KHẢ VÂN - LÊ ĐAN QUỲNH ANH - PHẠM THUỴ THÁI AN - TRẦN HUỲNH THẢO NHI - TRẦN HOÀNG HUY - LÊ NGUYỄN CÁC NGUYÊN - HỒ TRỌNG NGHỊ - LÂM ÁI KHUÊ - TRẦN NGUYỄN GIA DI - NGUYỄN NHỰT THẮNG - PHẠM NGỌC THIÊN KIM - LÊ NGUYỄN ÁI MY - PHAN LÊ NGỌC MAI - NGUYỄN THỊ THANH NHÀN - NGUYỄN THỊ TUYẾT MAI - NGUYỄN TẤN HÙNG - ĐẶNG THỊ KIM THANH - HUỲNH NGỌC THƯƠNG - PHAN NGỌC TÂM NHI - DƯƠNG HOÀNG GIA BẢO - VÒNG MỸ NAM - ĐẶNG ANH TUẤN - HUỲNH VŨ ĐAN THƯ - NGUYỄN KHẢ DOANH - TRẦN KHÁNH MINH - NGUYỄN LÊ THỊ CHI - HUỲNH NGỌC ĐÔNG NGHI - TRẦN TRUNG TÍN - TRẦN KIM THẢO - LÊ GIA TÔN - ĐẶNG THÁI MINH KHUÊ - HOÀNG KHÁNH CHI - PHAN LÊ THANH THẢO - LÂM NGỌC NHÂN - TÔ THỊ THANH THẢO - LÊ GIA HÂN - NGUYỄN NGỌC MINH CHÂU - ĐÀO NGUYỄN GIA NGHI - NGUYỄN TÚ MINH KHUÊ - TRẦN ĐẶNG NGỌC HÂN
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PHẠM NGUYỄN HỒNG LAM - NGUYỄN THỊ PHƯƠNG THẢO - VÕ PHẠM THUỶ TIÊN - BÙI THANH THUỶ - LÊ THỊ MỸ TRANG - ĐỖ KHÁNH LINH - NGUYỄN TRANG PHƯƠNG - NGUYỄN THẠCH KHÁNH LINH - LƯU TRẦN PHƯƠNG UYÊN - VÕ NGỌC HỒNG HOA - LÊ THỊ NGỌC SINH - BÙI THỊ QUỲNH CHI - HUỲNH THỊ HOÀI THƯ - LÊ SONG TÂM NHƯ - BÙI THỊ THANH VY - VÕ NGỌC PHƯƠNG THANH - NGUYỄN THỊ KIM NGỌC - VŨ VIỆT HÀ - MAI XUÂN HUY - NGUYỄN ANH XUÂN - NGUYỄN THỊ CẨM LY - ĐỖ THU THẢO - LÊ NGỌC KỲ DUYÊN - ĐINH THANH XUÂN - NGUYỄN QUỐC THÁI - NGUYỄN THANH VY - NGUYỄN THỊ HOÀNG YẾN - NGUYỄN TRIỆU HẢI DƯƠNG - HUỲNH CÔNG PHÁT - HÀ NGỌC MỸ ANH - ÔN GIA BẢO - VÕ THẢO NHI - BIỆN THỊ MINH THƯ - BÙI LÝ THIÊN KIM - NGUYỄN TH - NGÂN PHỤNG - TRẦN LÊ MINH NHI - TRẦN THỊ KIM YẾN - NGUYỄN HUỲNH NGỌC NGÂN - NGUYỄN THỊ ANH THƯ - ĐỖ ĐỨC HIẾU - NGUYỄN KHÁNH DI - ĐÀM ĐỖ HIẾU AN - NGUYỄN HOÀNG GIA HÂN - PHẠM THỊ CÔNG TUYÊN - TRẦN BẢO NGÂN - LÂM THUỶ TIÊN - TRẦN NGỌC QUANG - NGUYỄN HOÀNG ANH THƯ - NGUYỄN HOÀI PHONG - TRẦN DUY KHÁNH - NGUYỄN PHÚC HẬU - NGUYỄN PHƯƠNG NGỌC HUYỀN -
NGUYỄN ĐẶNG QUỐC ANH
CINEMA SUPPORTER
NGUYỄN NGÔ THÀNH PHƯỚC - HUỲNH NHẤT HUY - ĐỖ MINH TRÍ - NGUYỄN NGỌC VÂN ANH - TRƯƠNG ANH THƯ - TRƯƠNG NGỌC NHƯ Ý - KIỀU DIỄM PHƯƠNG UYÊN - ĐINH THỊ PHƯƠNG THẢO - TẠ KIM LỆ - BÙI NGỌC THUẬN - ĐẶNG THỊ HỒNG NHI - ĐÀO MINH ĐỨC - THÂN VŨ MINH TÂM - NGUYỄN THỊ BẢO TRÂN - HẠ QUỲNH PHƯƠNG - LÊ TRẦN NHƯ HUỲNH - TRẦN NGỌC ANH - NGUYỄN NGÔ SỞ DU - TRẦN THỊ YẾN THU - VÒNG MỸ NAM - NGUYỄN THỊ TUYẾT TRINH - LÊ ANH CHINH - TRỊNH TƯỜNG VY - VŨ PHẠM YẾN THANH - NGUYỄN TRƯƠNG THÙY TRÂM - VŨ MINH ANH - NGỤY BÍCH HẢO - BÙI TRẤN NAM THIÊN - NGUYỄN NGỌC TƯỜNG VY - NGUYỄN SONG NHẬT LAM - ĐINH THỊ NHƯ NGỌC - NGUYỄN HOÀNG KHÁNH ĐOAN - TRẦN NGUYỄN BÌNH AN - TRƯƠNG HẠ VY - NGUYỄN THUỶ TIÊN - NGUYỄN HUY BÌNH - HUỲNH THỊ NHƯ HUỲNH - NGUYỄN VIẾT TÙNG - TRẦN HÙNG NHÂN QUÍ - LÊ THỊ HUYỀN TRANG - NGUYỄN HỒNG HUY - VĂN THÀNH TIẾN - NGUYỄN THANH AN - MAI CẨM TIÊN - PHAN MINH THẮNG - HUỲNH HOÀNG SƠN - TRẦN THẢO BẢO LÂM - DƯƠNG MAI ANH - HUỲNH MINH KHANG - ĐÀO VŨ THUỲ LINH - PHAN TRỌNG PHÚC - QUÁCH GIA BẢO - HOÀNG THỊ MỸ DIỆN - TÔ THỊ THANH THẢO - NGUYỄN ĐINH NGUYÊN NHI - ABUJA MILƠ
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CINE PARK
ĐINH VĂN TUẤN - LÊ HOÀNG MINH - TRẦN THỊ KIM YẾN - VÕ THỊ THU THẢO - NGUYỄN TRỊNH YẾN NHI - NGUYỄN ANH TÚ - NGUYỄN HOÀNG ANH THƯ - BÙI THANH THUỶ - HUỲNH MINH PHÁT - LÊ KIM KHÁNH - PHẠM TRẦN HỒNG ÁNH - TRƯƠNG NGỌC MINH THƯ - NGUYỄN HOÀNG PHƯƠNG NHI - NGUYỄN NGỌC MINH CHÂU - NGUYỄN PHÚC HẬU - TRẦN NGỌC QUANG - PHẠM NGỌC PHƯƠNG NGHI - NGUYỄN VÕ KHÁNH DƯƠNG - NGUYỄN ĐÌNH SÁNG - LÊ NGỌC THIÊN KIM - NGUYỄN PHAN KIM ANH - LÝ BÌNH NHI - LÊ HOÀI THƯƠNG - LƯƠNG NGUYỄN PHƯƠNG ANH - NGUYỄN THUÝ ANH - NGUYỄN ĐÌNH NGUYÊN NHI - NGUYỄN THÁI THUỲ LINH - NGUYỄN TUẤN PHÁT - NGUYỄN HUỲNH NGỌC NGÂN - TRƯƠNG QUỐC BẢO - TRẦN NGUYỄN ANH THƯ - NGUYỄN VĂN ANH PHÚC - TRẦN DUY KHÁNH - PHẠM TRẦN YẾN NHI - NGUYỄN DIỆU ANH THUỲ - NGUYỄN TIẾN THỊNH - NGUYỄN HUỲNH ĐỨC DUY - ĐỖ HUỲNH MINH ANH - NGUYỄN DUY KHANG - DƯƠNG TẤN PHÚC - TRẦN NGỌC QUANG - LÊ VÕ KIẾN MINH - NGUYỄN THỊ HOÀNG YẾN - ĐINH THỊ THANH THUỶ - MAI THỊ YẾN NHI - TRỊNH NGUYỄN THUỲ TRÂM - LÊ HỒNG KHÁNH - LÊ THANH TRÚC - LÊ THỊ THU NA - HOÀNG MINH ĐẠT- NGUYỄN THỊ TUYẾT ANH - NGUYỄN TIẾN ĐẠT - TRẦN TUẤN KHANG - LIÊU THẾ HIỀN QUYÊN - NGUYỄN THỊ MỸ QUỲNH - DƯƠNG DU THANH - BẠCH THỊ NGỌC TRÂM - NGÔ NGUYÊN ĐẠT - PHẠM TRẦN YẾN NHI - TRẦN HOÀNG HẠNH DUNG - HUỲNH MỸ PHƯƠNG - NGUYỄN TÂN VỸ KHANG - HUỲNH TẤN THIÊN - BÙI NHƯ ĐÔNG - PHẠM THỊ DIỆU THÙY - NGUYỄN NGỌC TÀI - NGUYỄN GIA KHANG
LOGISTICS
TRẦN THỊ BẢO NGỌC - NGUYỄN NGUYÊN THÀNH - ĐOÀN MINH THƯ - ĐẶNG NGUYỄN - THẢO UYÊN - HUỲNH THANH HIỀN - ĐỖ THUÝ ANH - PHẠM NHƯ QUỲNH - NGUYỄN TRỌNG PHÚC - NGUYỄN THỊ MINH CHÂU - TRẦN THANH TUẤN - MAI PHAN VŨ - VÕ CHÍ THUẦN - PHẠM NGUYỄN NGỌC TUYẾT - BÙI PHƯƠNG GIA HUY - NGUYỄN HUỲNH ANH THƯ - VÕ HOÀNG BẢO LONG - VÕ PHẠM TÚ ANH - NGUYỄN NGỌC TRANG - HỒ THỊ BẢO CHUYÊN - BÙI ĐOÀN CHÂU GIANG - HOÀNG GIA HÂN - LƯ HUỲNH VĂN NIÊN - NGUYỄN THỊ HOÀNG OANH - TRẦN THỊ THANH MẬN - NGÔ THỊ THANH NGÂN - ĐỖ THỊ THU HÀ - LÊ THỊ NGỌC ÁNH - PHẠM THỊ TRANG ĐÀI - PHẠM THỊ THANH DUNG - NGUYỄN PHƯƠNG TÚ TRINH - NGUYỄN LƯƠNG MINH PHÚC - LÝ GIA KIÊT - DƯƠNG THỊ THU THUỶ - HOÀNG THỊ VY - HỒ DUY KHÁNH - ĐẶNG THỊ HOÀNG YẾN - NGÔ THỊ KHÁNH LINH - PHẠM HỒNG VŨ - TRƯƠNG MỸ ANH - NGUYỄN MINH THƯ - TRẦM ANH THƯ - ĐÀO PHƯƠNG ANH - NGUYỄN THỊ KIM NGỌC - LÊ THỊ MỸ TRANG - VŨ VIỆT HÀ
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FOOD COURT
HUỲNH NGỌC KIM - NGUYỄN PHÚ HIỆP - NGUYỄN KHÁNH VÂN - DƯƠNG KIỀU TRANG - NGUYỄN HÀ PHƯƠNG - LÊ THỊ THU THỦY - PHẠM ĐỖ NGỌC LINH - BÙI LÊ CẨM TUYẾN - VŨ BẢO HÀ - LÊ MINH ANH - HUỲNH NGỌC KHÁNH LINH - LÂM MINH THƯ - VŨ THỊ QUỲNH NGA - VÕ HOÀNG THANH TRÚC - PHẠM THỊ NGỌC TUYỀN - HỒ THỊ ÁNH - LÊ THỊ THÁI BÌNH - NGUYỄN HOÀNG JALY - TRẦN NGUYÊN DOÃN NGUYỄN NGỌC THUÝ DIỄM - VÕ HOÀNG TÚ UYÊN - TĂNG NGÔ HOÀNG YẾN - NGUYỄN THIÊN PHƯỚC - LÊ GIA TÔN - NGUYỄN HUỲNH HOÀNG ANH - NGUYỄN HỮU DUYÊN - PHAN VIỆT LINH - NGUYỄN THỊ PHƯƠNG THẢO - ĐÀO NGUYỄN GIA NGHI - HỨA MỸ CHI - NGUYỄN THỊ THỤC UYÊN
TELEVISION BROADCAST
HTV
MEDIA
GENESI Creative
TRẦN THANH HUY - BÙI LÊ NHẬT TIÊN - KHƯU TRỊ TRIỂN - MAI HỮU HOÀNG VƯƠNG - NGUYỄN VINH PHÚC - PHẠM THÚY VI - LÊ HOÀNG MẾN - LÊ NGỌC ANH - CHUNG ANH HUY - LÊ BẢO HUY - PHẠM TRÚC UYÊN NHƯ - TRẦN HOÀNG KHANH - NGUYỄN VIẾT HOÀI - LÊ NGỌC - NGUYỄN TRỌNG THỦY - PHẠM THANH TRÍ - NGUYỄN TRẦM THẾ BẢO - HOÀNG LÊ ÁNH HỒNG - HOÀNG NGUYỄN KHÁNH NGUYÊN - BÙI QUANG TRÍ - NHÂN DƯƠNG - VÕ GIA HUY - VƯƠNG TUẤN KIỆT - NAM HẢI - ĐẶNG THỊ THÚY HỒNG - NGUYỄN VÂN ANH - LẠI NGUYỄN HÀ PHƯƠNG - LÂM ÁNH NGỌC - CHARLIE LE - ĐẶNG DƯƠNG ANH TÀI - NHẬT ĐẶNG - VÕ QUANG NHẪN - LAI THÙY TRANG - TÍN NGUYỄN - NGÔ CAO NGUYÊN - HOÀI BẢO - PHÚC ĐẶNG - ĐỨC ANH - CAO NGỌC HẬU - TUẤN ANH - NGỌC HOÀNG - HK FILM - TUẤN VŨ EQUIPMENT
Livestreaming
LÊ QUANG HUY - ĐỖ HÙNG - LÊ HUÂN - PHƯƠNG HOÀNG - TRẦN VĂN CHUNG - TRẦN VĂN CHƯƠNG - PHAN BÁ LAM - HÀ HUY THÔNG - HOÀNG NHẬT HUY - NGUYỄN QUANG MINH - PHÚC HÀ - HỒNG ĐỨC
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Behind The Scene
HÍ NGUYỄN STUDIO
NGUYỄN TUẤN KHIÊM - VÕ NHẬT TRƯỜNG - TRẦN MINH THẢO - NGUYỄN ĐÌNH TRỰC - NGUYỄN ANH TÚ - BI NGUYỄN - PHẠM ĐỨC TÀI - PHẠM ANH KHOA - NGUYỄN THẾ ĐÌNH - NHAN TRAN - TÍN VÕ - DUY NGUYỄN
MEDIA SUPPORTER
NGUYỄN THỊ PHƯƠNG AN - LÊ DUY TRUNG - PHAN VĂN HẬU - NGUYỄN THỊ HUỲNH ANH - NGUYỄN LÊ QUỲNH NHƯ - TRẦN KHÁNH LINH - TRƯƠNG NGỌC THẢO NGUYÊN - TRƯƠNG NGUYỄN THANH NGÂN - ĐOÀN BẢO NGỌC - LÊ THANH PHONG - ĐỖ HOÀNG MỸ LINH - CHÂU KIM LOAN - ĐẶNG THỊ NGỌC THẢO - NGUYỄN HỮU TÀI - VŨ NGUYÊN LONG - NGUYỄN THỊ TÚ NHI - PHẠM NGỌC TIẾN - NGUYỄN LÊ TRÀ MY - NGUYỄN THỊ MINH PHÚC - NGUYỄN NGỌC MINH ANH - NGUYỄN ĐÌNH TUẤN ANH - NGUYỄN LÊ QUỲNH NHƯ - LÊ HUYỀN TRANG - LÝ NGUYỄN NHÃ LINH - NGUYỄN THỤY TƯỜNG VY - HUỲNH THỊ LAN TRINH - NGUYỄN PHƯỚC THẠNH - VÕ NGUYỄN HỒNG HOA - NGUYỄN KINH QUỐC - BÙI ANH TÚ - TRƯƠNG KIM THƯ - MAI KHÁNH LINH - VÕ QUỲNH VY - HUỲNH NGỌC THƯƠNG - LÊ THỊ THU HUYỀN - NGUYỄN HOÀNG THẨM NHU - NGUYỄN HOÀI TRÂM - NGUYỄN NGỌC PHƯƠNG TRINH - NGUYỄN TRỌNG NGUYỄN - LÊ PHƯƠNG UYÊN - ĐOÀN THỊ TỐ QUYÊN - TRẦN QUỲNH NHƯ - PHẠM LÊ HÀ PHƯƠNG - TRẦN VŨ NHƯ KHƯƠNG - LÊ THỊ PHƯƠNG - NGUYỄN THANH THUỶ TÚ - LÂM QUẾ HOA - ĐỖ THANH TRUNG - NGUYỄN QUANG TRUNG - NGUYỄN TRUNG NGUYÊN - VÕ THỊ THÚY HẰNG - ĐOÀN TUẤN HƯNG - VŨ THỊ HUYỀN ANH - VÕ NGUYỄN THUỲ LINH - VÕ NGỌC YẾN NHƯ - PHẠM QUANG KHẢI - TRẢO NHẬT HẰNG - TRỊNH TRƯỜNG PHONG - HỒ THỊ Ý CHI - BÙI NGUYỄN KHÁNH VY - VŨ THỤY MAI XUÂN - ĐINH THỊ DIỆU THÙY - NGUYỄN ANH KIỆT - TRƯƠNG NGỌC ÁNH - CHAU NGUYỄN ĐỨC HIỀN - NGUYỄN HỮU TÀI - ĐOÀN TUẤN HƯNG -
VÕ NGỌC YẾN NHƯ
81
Appendices
the team
OPENING & CLOSING CEREMONY
Production
UNICORP
Coordinator
TRẦN KIM HOA - TRẦN VI MỸ - TRẦN VIỆT BẢO HOÀNG - ĐINH NGUYỄN NGỌC BẢO - LÊ THANH TÂM - TRẦN NHẬT MINH - ĐÌNH THANH - NGHĨA NGUYỄN - THẢO CHI - CẨM TIÊN -
BẢO VY - KHUYÊN (TEE) - HUY NGUYỄN - MINH DŨNG
Stage & Visual Effect
UNIMEDIA
MOTIX
CINE SHOW
ANNA ĐINH - TÂM LINH - THÀNH DANH - THẢO VY
TELEMUSIC
LÊ THANH TÂM - TRƯƠNG HẢI YẾN - CÔNG THÀNH - BẢO HIẾU - ĐĂNG KHOA - KHEWIN BYA - KHOA ĐĂNG - THIÊN ĐĂNG - DŨNG PHẠM - NSUT HẢI PHƯỢNG - NSUT THU THUỶ - ĐINH NHẬT MINH - NSUT HOÀNG ANH - TRẦN HẬU
THE FEELS BAND
LÝ HẢI PRODUCTION
82
Appendices
the team
SOUND & LIGHTING
NGỌC VŨ
PHÚC THỊNH
BLOOM
ARES PRODUCTION
TRUSS - LAYER TRUSS
ĐẠI THÀNH LỘC
CINE SHOW TABLE & STOOL
CARPE DIUM
SAIGON LIGHT
NGÀN THÔNG
MARQUEE
PHONG NAM
LED
SHOW GROUP
ÂU LẠC (ALTA)
SCENE SETTING
LỮ NHẠC
LINK-UP
BARRIER
FANSVIET
TROPHY PRODUCTION
SÂN KHẤU VIỆT
83
Appendices
the team
ELECTRICAL EQUIPMENT
LT68
HAPI
DRIVER
TRẦN QUỐC KHÁNH - VÕ PHI TRƯỜNG - TRẦN BÁ TUẤN - VÕ HUỲNH ANH TUẤN - NGÔ VĂN SỬU - ĐỖ QUỐC TOẢN - NGUYỄN MINH SANG - LÊ TIẾN ĐẠT - TRẦN QUANG TRUNG - LÊ THIỆN KHÔI NGUYÊN - NGUYỄN TUẤN ĐẠT - ĐỒNG QUỐC TUẤN - NGUYỄN QUỐC HÙNG - ĐÀO MINH TRUNG - PHAN QUANG THIỆN - HUỲNH TẤN PHÁT - NGUYỄN HOÀNG NGÂN - NGUYỄN TRUNG HIẾU - PHẠM THANH LỢI - DƯƠNG MINH CHÍ - LƯU KHÁNH DUY - NGUYỄN VĂN BÚT - NGUYỄN THÀNH THẬT - TRƯƠNG VĂN QUÝ - NGUYỄN ĐẠT TUẤN - NGUYỄN CHÁNH TÀI - LÊ ANH TUẤN - TRẦN VĂN LƯỢM - NGUYỄN ĐỨC HỒNG NGA - LÊ THÀNH PHONG - NGUYỄN THANH HÙNG - LÊ ĐÀ KHẮC MỆNH - LÂM THUẬN - NGÔ NGUYỄN ĐĂNG KHOA - PHẠM VĂN LOẢN - PHẠM VĂN TUẤN - NGUYỄN THẾ NHƯ - NGUYỄN HỮU LUẬT - HỒ VŨ QUỐC KHÁNH - ĐẶNG HỮU THỚI - THẠCH ĐỨC THIỆN - MUÔN CHOM RƠN - LÊ MINH TIẾN - HOÀNG ANH THÁI - NGUYỄN HOÀNG MINH - TRẦN NGUYÊN HUẤN - TRẦN NGUYÊN KHÔI - NGUYỄN ANH VĂN - NGUYỄN ĐỨC ĐẠT - NGUYỄN NGỌC THUẬN - NGUYỄN ĐÌNH QUANG - TRẦN HOÀNG HÙNG - VĂN MINH PHA - HỒ THANH MINH - LÊ THIÊN ĐẠI - LƯU THẾ HIẾU - ĐẶNG PHÚ QUỐC - NGUYỄN TUẤN HẢO - PHẠM MINH HẬU - VƯƠNG ĐÌNH HUẤN - NGUYỄN DUY ANH - TRẦN BẢO LỘC - HOÀNG TUẤN HUY - LÊ ĐÌNH HÙNG - NGUYỄN VĂN KHA - NGUYỄN NGUYÊN PHÚC - NGUYỄN VĂN QUYẾT - NGUYỄN XUÂN TĨNH - NGUYỄN THÀNH KHA - TRẦN THÀNH ĐẠT - LÊ XUÂN HƯỞNG - NGUYỄN TRUNG CHÍNH - NGUYỄN VĂN CÔNG - BÙI LÂM MINH ĐĂNG - NGUYỄN ĐỨC ĐẠT - LƯU THẾ HIẾU - THÂN TRỌNG VÂN - NGUYỄN TUẤN ĐẠT - TRẦN VĂN ĐỒNG - NGUYỄN ĐỨC NHUẬN - NGUYỄN MINH THUẬN - NGUYỄN HÙNG DANH - NGUYỄN HÙNG DŨNG - NGUYỄN NHẬT TRƯỜNG - NGUYỄN HOÀI THANH - NGUYỄN VĂN NGHĨA
84
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